There are many areas in which Ger FitzGibbon has been prominent in theatre in Cork city–-as one of those responsible for setting up and becoming the Head of Department of Theatre and Drama Studies as a director and writer for theatre in Cork.

We focus a lot in this discussion on the city and how the theatre scene has evolved over the past 50 years–-the struggles, the achievements, the politics, the Arts Council––we discuss his involvement in Dramat in UCC, in CTC, the Ivernia, Meridian, the Everyman, as well as the many actor and designers he has been influenced by and created with.

Ger has been described as the father of theatre in Cork; he is well known for his generosity and support to the many actors he meets.

Another enduring legacy is his participation in Graffiti–– the specialist theatre company for young audiences and which has survived nearly 40 years at this stage. As well as being one of the founding members, Ger has served as Chair and as a regular board member for about 30 years. Graffiti has made a significant difference in Cork to the possibilities for theatre-makers––the actors, designers, playwrights, etc.––by providing professional opportunities, seasonal work and, for some, long-term employment. And of course to the thousands of children in Cork city and county that have benefitted through outreach projects or programmes such as the Beag programme, or Fighting Words.

In this podcast we discuss what excites him for the future of theatre in the city as well as his take on collaboration, design, mask-making, his secret passion as a bricoleur, and the Captain’s Chair. He also quotes Shakespeare beautifully!

Details of Ger FitzGibbon’s past plays can be found at PLAYOGRAPHY Ireland, from the Irish Theatre Institute: